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Today at 2.15pm is the centenary of the sinking of the Lusitania: the largest, fastest and most luxurious ship of her generation.
by Stacey Clapperton, PhD Candidate in History of Art, University of Glasgow
A British soldier, who may have spent endless months fighting in the trenches on the Western Front, finds himself in an army hospital with undisclosed injuries. We don’t know how long he has been lying in his hospital bed. We don’t know the last time he enjoyed the comforts of home. We learn, from the author of this scene that the soldier in question, Private Swish, has had his dug out blown in and is awakening from “dreams of beautiful nursing sisters and blue jacketed bliss”. Now this may not seem like a particularly humorous moment for this or any soldier, but in the expertise of a cartoonist armed with subtle humor, the scene transforms. Private Swish awakens to a barked command of “DRINK THIS” by an unsympathetic, sullen and knackered looking hospital orderly who looks like he’s about to force the patient to shift over, so he himself can have a lie down. This scene composed of a simple ink and wash drawing with white highlights, measuring a modest 29.1 x 22.7 cm, was created by Osborne Henry Mavor in 1916.
by Michael O’Brien, MSc Museum Studies postgraduate student
Of the many tasks that were presented to me on my Museum Studies MSc placement with the Great War Project, I believe the artefact selection and curation was possibly the most challenging. In this post I will discuss these challenges and the subsequent conclusions that led to the curation of artefacts in the exhibition, Glasgow University’s Great War: the University Officers Training Corps.
On Monday, 4 August the UK commemorated the centenary of its entry into the First World War. With the close of the Commonwealth Games just a day before, Glasgow became the locus of Commonwealth centenary commemoration. Following a memorial service in Glasgow Cathedral, officials, members of the armed forces, and dignitaries from around the Commonwealth attended a wreath-laying ceremony at the city’s cenotaph in George Square and a reception in City Chambers.